The role of opioid transmission in music‐induced pleasure

dc.contributor.authorMas-Herrero, Ernest
dc.contributor.authorFerreri, Laura
dc.contributor.authorCardona, Gemma
dc.contributor.authorZatorre, Robert J.
dc.contributor.authorPla-Juncà, Francesc
dc.contributor.authorAntonijoan Arbós, Rosa Ma. (Rosa María)
dc.contributor.authorRiba, Jordi
dc.contributor.authorValle, Marta
dc.contributor.authorRodríguez Fornells, Antoni
dc.date.accessioned2024-10-28T17:48:58Z
dc.date.available2024-10-28T17:48:58Z
dc.date.issued2023-02
dc.date.updated2024-10-28T17:48:58Z
dc.description.abstractStudies conducted in rodents indicate a crucial role of the opioid circuit in mediating objective hedonic reactions to primary rewards. However, it remains unclear whether opioid transmission is also essential to experience pleasure with more abstract rewards, such as music. We addressed this question using a double-blind within-subject pharmacological design in which opioid levels were up- and downregulated by administering an opioid agonist (oxycodone) and antagonist (naltrexone), respectively, before healthy participants (n = 21) listened to music. Participants also performed a monetary incentive delay (MID) task to control for the effectiveness of the treatment and the specificity of the effects. Our results revealed that the pharmacological intervention did not modulate subjective reports of pleasure, nor the occurrence of chills. On the contrary, psychophysiological (objective) measures of emotional arousal, such as skin conductance responses (SCRs), were bidirectionally modulated in both the music and MID tasks. This modulation specifically occurred during reward consumption, with greater pleasure related SCR following oxycodone than naltrexone. These findings indicate that opioid transmission does not modulate subjective evaluations but rather affects objective reward-related psychophysiological responses. These findings raise new caveats about the role of the opioidergic system in the modulation of pleasure for more abstract or cognitive forms of rewarding experiences, such as music.
dc.format.extent10 p.
dc.format.mimetypeapplication/pdf
dc.identifier.idgrec729278
dc.identifier.issn0077-8923
dc.identifier.urihttps://hdl.handle.net/2445/216098
dc.language.isoeng
dc.publisherNew York Academy of Sciences.
dc.relation.isformatofReproducció del document publicat a: https://doi.org/10.1111/nyas.14946
dc.relation.ispartofAnnals of the New York Academy of Sciences, 2023, vol. 1520, num.1, p. 105-114
dc.relation.urihttps://doi.org/10.1111/nyas.14946
dc.rightscc by-nc (c) Mas-Herrero, Ernest et al., 2023
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/
dc.sourceArticles publicats en revistes (Cognició, Desenvolupament i Psicologia de l'Educació)
dc.subject.classificationMúsica
dc.subject.classificationPlaer
dc.subject.classificationOpiacis
dc.subject.otherMusic
dc.subject.otherPleasure
dc.subject.otherOpioids
dc.titleThe role of opioid transmission in music‐induced pleasure
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion

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